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The special characteristic of this setting is that even if the overprint mode is set inappropriately, the data appears to match and is processed in a way close to what the user expects. In addition, several special processes are included to preserve exact compatibility for processing OutlinePDF, so if you are using an OutlinePDF workflow, use this setting.

RIP'ing is also based on the formal specification described in "Overprint mode" P29 for overprint processing. In other words, for output other than OutlinePDF, we recommend that you use this setting. Differences due to two settings The differences in output between these two settings are summarized in the table below. The differences between DeviceCMYK gradients and images are shown as examples in the illustrations below. If that data is processed according to the PDF standard, overprints are ignored because Black is specified as DeviceGray in the input data.

If these are black overprints, this can be avoided using automatic overprints in Trueflow. As shown in the examples above, it is very likely for objects such as those marked as "Differences due to two settings" P8 to be interpreted differently depending on the RIP, there is a lot of device-dependent encoding, and in the latest DTP applications, processing to avoid this type of code is built in.

For example, according to the PDF standard, overprinting of DeviceCMYK gradients, patterns, and images is disabled, and by overwriting with DeviceN, which can clearly specify the presence of separations in the DTP application, it is possible to render overprints as much as possible.

When Illustrator 10 and InDesign were in use, they were part of a transition period for clear interpretation of overprints. In the RIPs used in Trueflow at that time, which included conventional RIP'ing, overprint processing that took this situation into account was implemented, so now there are times when the results are different from those from the current RIP. In actual production work, it is possible to create PDF that depends little on the output environment by replacing overprints of these objects with transparent objects and not using DeviceGray.

If you use this transparency effect, problems may occur during output depending on the settings that have been made. However, it is possible to successfully output files with the appropriate processing in almost all cases if you understand the mechanism and how to make the settings. Transparency flattening can be performed in advance in a DTP application that can use "Transparency", such as Illustrator or InDesign, so it becomes unnecessary to perform the flattening in the RIP.

However, the settings for flattening transparent objects differ depending on the content of the data, so there are times when output using the default settings in the application does not yield the expected results.

If this happens, it is necessary to change the settings. Examples of data that are made transparent Data that includes "transparency" also includes data with the following styles, symbols and effects to which transparency is applied in advance in addition to operations set in the Transparency palette. It is important to check whether the transparency effect has actually been applied using the procedure explained on "How to check transparency" page Overview of flattening In PDF1.

This process is called flattening. If you use transparency effects this flattening process must be run at some stage in the data processing. If you perform one of the following operations, the file will be flattened. If a file including transparent elements is output to a PostScript printer. If the Flatten Transparency command is used.

How is it flattened? It is not necessarily the case that a higher value is better for this setting. We recommend using a setting of "" for normal operations, but on rare occasions, problems occur during output of complex data that includes transparency. You can prevent this from happening by moving the slider to a setting of "99" to "75". Which setting is most appropriate differs depending on the data, so if the data is complex, we recommend checking the Flattener Preview palette as you change the setting to determine the best value, and then generate a proof.

Resolution of line art and text Here we set the resolution for the rasterized line art and text areas. Adjust the balance of quality and performance by setting a resolution that can be divided by an integer that yields sufficiently high quality. Other options [Gradient Mesh Resolution] Here we set the resolution for rasterized gradient and mesh areas.

You can also set the maximum resolution for drop shadows and blurs. When you select this option, the effect on the text width from the flattening process is suppressed, but small fonts become slightly thicker.

The paths for the areas of transparent objects that overlap areas are converted to outlines. If only some of the vector objects are to be rasterized, this reduces jaggies in the border areas, but the paths become more complex.

Rasterization effects have enormous effects on artwork that you create. As a result, be sure to check the settings before using filters or effects. If these settings are too low, banding may occur in the output. Choose "Document Raster Effects Settings Resolution 72dpi Resolution dpi. We recommend that you also use the Flattener Preview palette to see in advance where transparency objects are used in the file and whether or not they are flattened.

If you cannot predict the output results, print a proof and check whether or not there are problems. In CS4 and later, if you make setting changes in "Panel Options" in the "Pages" palette, it is now possible to check whether or not transparency effects were applied by the display of a small icon that indicates transparency effects.

Display the Pages palette When any transparent object is included in the page, the pages icon displays a checkerboard pattern. To check the transparent objects and the normal objects affected by the transparency effect in detail, use the Flattener Preview palette, which is described in the next section. Transparency Flattener Preview Installing the plug-in into Illustrator 10 It is necessary to install the Flattening Preview palette plug-in to display the Flattening Preview palette.

Below we focus primarily on how to check transparency in Illustrator CS2. However, the concept is basically the same for other applications InDesign and Acrobat. Windows : Drag the "Flattening Preview. The preview appears directly in the layout, so check it there. The preview appears in that dialog box, so check it there.

Then click the Refresh button once to display the preview. When the preview is displayed, the Highlight: pop-up becomes active. When you select Transparent Objects, the objects with transparency are highlighted in red in the preview. This includes places that include transparency. Other menus of Flattener Preview This section describes other highlight menus that you can check in Flattener Preview. There may be some differences on the borders of the areas highlighted here color stitching caused by color matching and resolution and tonality differences, due to the rasterization.

The highlighted objects are affected by the flattening process. These areas are all highlighted. Highlights transparent areas of strokes because they have been converted to outlines or the Convert All Strokes to Outlines option is selected.

Highlights transparent areas of text because they have been converted to outlines or the Convert All Text to Outlines option is selected. On the other hand, the attributes of overprint objects can be retained. What is overprinting Overprinting means to print the objects on one separation so they overlap the objects on a different separation in print. It was originally intended to prevent white gaps from appearing between the background color and layered objects due to misregistration during printing.

It is important to understand this difference in order to obtain the expected output results. In the example in [Fig. If transparency is set, the Backward objects continue to be visible through the Forward objects even if the same changes are added.

The behavior of the program is similar for overprinting and transparency, so one may be used for the other during internal processing in the application.

What is important is that if you make appropriate transparency division settings and set all overprints to load in Trueflow, the data is processed correctly. In addition, if it is necessary to have non-k process colors be overprinted as an intentional part of the design, using transparency to achieve the same overprint results as in [Fig. This function makes it possible to create composite PostScript files and output using a device that supports in-rip separation.

However, even if the results using "Composite CMYK" are more desirable for some data, the related problems will not be resolved unless overprint importing is turned on in Trueflow. How to make the settings I. Some differences appear, such as text in the overprint areas becoming thicker. See "V. Overprints are output as transparent objects" P27 for technical information. If you output a comp on a color printer, the overprints may not output correctly, depending on the RIP connected to the printer.

Checking using an overprint preview simulating the output results In InDesign CS - CS5, if you turn on "Overprint Preview" in the "View" menu, the "Simulate Overprint" screen is displayed, allowing you to check the overprints at the editing stage.

In addition, when you open an output preview, you can see the preview even if "Simulate Overprinting" is turned on. Checking using an output preview checking the areas with overprint settings In the "Output Preview" function in Acrobat , turn on "Show Overprinting" to highlight the places in the PDF where overprints are set so you can easily check them.

If PS containing spot colors is input into Trueflow, process colors and true spot colors are still distinguished from each other, so the appropriate processing is applied, but that process of distinguishing them occurs after input, so it is necessary to be aware that all colors are handled as spot colors when "Import overprint" is set for input. In addition, the "Import overprint" function in Trueflow applies overprints to the entire document, including the objects, so depending on the behavior of the individual application, it is difficult to completely control this in the RIP.

QuarkXPress Spot colors within objects imported into QuarkXPress are handled as spot colors, and process colors are handled as process colors. In other words, colors within objects are handled as they are without change. Automatically unintentionally placed overprints Adobe Creative Suite applications may create PS encoded with the following: Overprint objects that are automatically created in gradient positions Multiple overprint objects where the process colors are mixed on output If this type of data is processed with Trueflow's overprint loading function OFF, the input processing cannot be performed properly.

As a result, tints and gradients may be missing in part from the output or some objects may be output using totally different colors. If automatic overprint processing is used in Trueflow, the resulting output may be different to what was expected due to the mixture of overprint settings that are automatically set in the application and the overprint settings that are automatically set in the RIP. If the output results cannot be completely predicted, as in this case, we do not recommend using automatic overprinting in Trueflow.

By setting overprint attributes in InDesign or Illustrator without relying on Trueflow automatic overprinting, the divide and unite processing can be applied taking overprints into consideration, so you can achieve the results you expect. White overprinting If white overprints are set by mistake If white overprints are set by mistake Generally, white overprints make objects transparent, so nothing is output.

However, it is necessary to be careful because white overprints may be set by mistake. For example, in Illustrator CS - CS5, if you set white objects or text to overprint, the following warning is displayed. When the same operation is performed in InDesign CS - CS5, the overprint will be automatically canceled when the text color is changed to white. Cases where 0. In almost all DTP applications, the color depth in overprint preview processing is 8-bit, which means that colors can be rendered.

With a color depth of , the smallest step is 0. However, in the internal PS or PDF that is actually output, the color depth is higher at 16 bits, which means that colors are rendered using 65, levels. In Trueflow, colors may be processed using either 8 or 16 bits, depending on the version and processing settings. The standard that determines "white", such as the application, the type of RIP or the processing settings, affects other results besides 8-bit and bit color values, and it is difficult to predict in advance the output results of overprinting colors that are close to white.

The data presented in these examples is not very "intentionally specified" data. This is important to understand before you try to learn the potential causes of problems. There are times when objects in a document for which overprinting is set are divided and united as if they were transparent objects.

As a result, the results are slightly different compared to when true overprints are output. As in the table above, overprints are handled as transparent objects and are divided and united if applications are run in the following ways. Checking using comp output" P22 , it is possible to output comps that enable you to check overprints on a normal color printer on most color printers, overprints cannot be output correctly if they are not converted.

However, for Illustrator 10, as shown in the table, this simulation is not only for when the data is saved as PS, but it also applies to saving as EPS, so if you mistakenly set overprinting where it is not necessary, the overprints are output as if they were loaded into Trueflow even if they were not.

Transparent areas are output as overprints There are times when objects set to be transparent are processed as overprints during output.

For example, if transparency effects are applied to objects or gradients that include spot colors, when the data is saved as EPS or PDF, overprints are applied to the areas that overlap with the transparent objects.

For process colors, overprints are not applied under the same conditions, and the transparent objects are divided. It is not necessary to be conscious of the OPM in a general DTP workflow, such as the one described in this document, but there are exceptions, and in some special PDF workflows, it may not be possible to obtain proper output if you are not conscious of this OPM.

The two overprint modes There are two operation modes for overprint mode. The OPM setting does not affect other object processing. In the figure to the right, Device N is in back and individual color spaces are in front. If you change this setting, there may be differences between the overprint preview in the DTP application as well as the Acrobat display and actual output results, so for normal workflows, this setting should not be changed.

To resolve this problem, we introduced the concept of OPM as a RIP processing mode for achieving the same results from different output. This means that it is derived from the overprint specification in Illustrator, and in Acrobat Distiller 5 and earlier versions, the OPM setting was described as "Illustrator Overprint Mode". This means the same as the "Overprinting default is nonzero overprinting" in Acrobat Distiller 6 and later versions.

It is possible to convert spot colors to process colors and output even from Trueflow, but it is important to set whether to convert the spot colors to proxy colors using process colors or handle them as spot color separations as they are in advance in the DTP application, and then finalize the spot color settings in the PDF. This is because even if the input data is the same, it is controlled in the RIP, so spot colors are handled differently depending on whether the RIP is set for spot colors to be converted to proxy colors and printed or whether the RIP is set to handle the spot colors as is.

Therefore, the results vary and may not appear as intended depending on the output environment. By correctly setting how the spot colors should be handled before creating a PDF file, it is possible to output the same results in any output environment. However, it is necessary to be careful because if there are transparency or overprint effects, as described in "VI.

Transparent areas are output as overprints" P28 , transparency effects must be handled as overprints, and the overprints will not be as expected at the point when they are converted to process colors. This is described in more detail in the next section. If transparency effects are applied to spot colors in Illustrator CS2 - CS5, the following message is displayed when the data is saved as EPS, reporting the condition.

If overprints are applied to spot colors, this message is not displayed, but similarly, the data is not output as expected. Specific cases where transparency effects and overprints are used are shown below, but the spot color settings are only made at the stage when the data is created for the areas where spot colors are actually output, and loading spot color information and overprints into the RIP is only one method of solving the problem.

Applying overprints to spot colors When overprinting true spot color separations, spot color inks are printed in the areas where the spot color objects and other objects overlap using separate separations, so the output is a mix of both types of objects.

However, the results are completely different when those spot colors are converted to process colors and overprinted as compared to when they are output as spot color separations. If you convert to process colors in Trueflow, you cannot check the output results in advance, so it is not possible to guarantee that the output will be the same as what appears on screen. Transparent areas are output as overprints" P28 , generally if objects with transparency effects overlap objects with spot colors, some of the transparency settings are converted to overprints and the data is saved.

As described in "Applying overprints to spot colors," if objects with transparency effects are unexpectedly converted to overprints in this way, the results are completely incorrect. To achieve the expected results, the rule is to output spot colors as spot colors using separate separations. Of course it is critical to set up the overprint loading and spot color loading correctly in the RIP, and if they are not loaded, this will cause serious problems in the output.

If you use the colors specified as process colors in advance rather than spot colors, these types of problems do not occur. Ways to convert spot colors to process colors To resolve these problems, we introduce two ways to convert spot color objects that are not to be output using spot color separations into process colors in the DTP application. When the colors are converted, the behavior of the transparency effects and overprints may yield unexpected results. It is necessary to check this behavior by displaying overprint previews.

You cannot check them if you convert to process colors in the RIP. If you convert spot colors to process colors, be sure to always check the conversion results at the stage when the data is created, before RIP'ing. It is possible to check the spot color state and change the settings for each color from the Swatches palette.

Select "Swatch Options In this example, the setting procedure is described using InDesign CS5. When you import other application data that includes spot colors into InDesign, the definitions of the spot colors used in the InDesign data can be changed, but they can only be changed to InDesign's color format. To modify a color in the original image, you must define the color in the application that was used to create the image.

In the Swatch Options dialog box, set as shown below and then click the OK button. Check that the icon to the right of the list has been changed. This completes the setting.

In "Ink Manager", it is also possible to output spot colors with different names, such as "Green1" and "Green2" using the same separation. Changes to the colors in the document set in "Ink Manager" are not made, but rather the colors are converted during output. With this conversion, spot colors in imported Illustrator data can also be converted to process colors at the same time. Of course it is also possible to set batch conversion of all of the spot colors to process colors for each separation.

Display the "Ink Manager" dialog box in one of the following ways. Icons are displayed to the left of the individual colors. If you click the spot color icon on the left, it changes to a process color icon. This finishes the setup. In addition, if you want to convert the spot colors to process colors in batch, turn on "All Spots to Process".

All of the spot colors are converted to process colors. If Illustrator EPS format data is imported into InDesign, objects are already divided at the point that the EPS is created, and converted to overprints after that, so unexpected results may occur.

If unexpected colors are appear in the overprint preview with these ink management settings, it is necessary to edit the original data in Illustrator. When PS is output from a DTP application and then it is used for imposition in another program, PS will be positioned with reference to the origin of the finished page. Therefore, the information for page origin, size, and bleed area is important. English version 6. Since this function is off as a default setting, select "Preference" - "Page Display" from the menu, and then turn on "Display art, trim, bleed boxes".

Once the Acrobat function is activated, each area will be displayed using different colors. The red line represents the ArtBox. Even when objects are positioned outside the bleed area, as seen in this figure, all ArtBox areas will be included in the paper size to be determined.

Also, note that if there is an object that is not actually viewed or output for example, when a clipping mask is used , the object is also included in ArtBox. If you use other than TrimBox, the page origins may not match.

In-RIP color separation and DeviceN are functions for creating PostScript assuming that color separation is performed in the RIP, and they are implemented to obtain the same results as when color separation is performed in the application, even when using a composite workflow possible to convert to normal PDF.

In QuarkXPress 6. In addition, it is also possible to correctly output traps created in InDesign. If you select "Application Built-In" in the "Trapping" pull-down menu in "Output" in the "Print" dialog box, you can perform simple trapping, but it is necessary to be aware of the following. It does not work unless you select in-rip color separation. Trap widths are restricted to a maximum of four points. You can set up trapping details using "Window" - "Output" - "Trap Presets".

Unnecessary traps are output if you make these settings incorrectly, so it is necessary to be careful. There are other device color spaces, including DeviceGray, DeviceRGB and DeviceCMYK, but DeviceN is the color space that allows you to specify multi-ink colors or multi-tone colors including duotones that use more than the four colors of the basic color space.

If you output PostScript 3 by specifying in-rip color separation or DeviceN from various applications, the DeviceN code is used internally in the PostScript. In addition, in PDF that is directly output from an application, DeviceN encoding is used for duotones or spot colors matched using mixed ink swatches. No other color specification is necessary. The differences between these methods of specification become important when you process overprints.

In addition, it can be said that that the expression of spot colors using DeviceN is universal. Spot colors and process colors are both printed the same way, and whether or not the color name is a reserved name is what determines whether a color is a spot color or a process color. For example, there are times when the process color cyan is defined as the spot color called "Cyan", and if the reserved name "Cyan" is used in normal processing, there is no problem because it is processed as the process color "Cyan".

However, if spot colors and process colors are processed differently see "II. Settings in Trueflow" P21 , there are times when it does not work as expected. However, it is not always the case that DeviceN encoding is required if you use spot colors. This number of colors is of course "the number of colors used in a single object", and is not "the number of colors used in the entire document.

You can create "data created for in-rip separations" that takes into consideration the output of all of the separations using DeviceN. In addition, to output all of the functions in the application completely using an in-rip separation workflow, you must using DeviceN format encoding.

However, it is not necessarily the case that everything can be completely output. In a PostScript workflow, we recommend that you select in-rip color separation or DeviceN.

In a PDF workflow, it is assumed that you are using an in-rip separation workflow, so DeviceN is used automatically. In Adobe Creative Suite , the color management functions have been enhanced, and we always recommend using color management. However, it is possible to prevent making any changes to CMYK images in the color management setting, so quality-guaranteed CMYK images can be used as with earlier versions. The illustration to the right shows the US version.

For the European version, select "Trueflow Color Pro 1. Avoiding automatic color conversion If RGB images are used in various DTP applications, the RGB is converted to CMYK based on ICC profiles appropriate for the output settings embedded in the images as well as output device profiles, but it is undesirable from an image quality management standpoint to inadvertently convert them, so it is important to be aware that they have already been converted when preparing the files.

This ICC profile allows you to know the information on the color space used for expressing the image. This information is required when the image is converted into a CMYK image. In addition to the color conversion based on the ICC profile, image quality adjustment and adequate sharpness adjustment should be performed depending on the image type to obtain better-quality results.

There are two major color management solutions for positive image quality management in the operation using RGB images. With either method, you can achieve significant results by avoiding automatic conversion. The resulting image quality is equivalent to those created by a professional scanner.

Performing color conversion during RIP computation RGB images are used for layout after being set with color adjustment instructions. The actual color conversion is performed during output computation in the RIP.

Recipe and color profile A recipe file defines how the images will be converted. Images are converted based on ICC profile information, which indicates the color space used, and the quality defined in the recipe file. Recipe file information includes subjects, finish keyword, and quality definition data. A system that incorporates a recipe file and a recipe conversion engine i.

Therefore, anyone can perform high quality setup easily. Trueflow 3 Version 3. When creating the data, it is important to consider the description of the next section "Points to note when creating RGB workflow PDF" P48 when performing the procedure. In Colorgenius AC, you can make fine adjustments to existing recipe files as well as create new ones. With this workflow, the RGB images are not converted through the entire process from layout to final output rendering, so the RGB image quality does not deteriorate no matter how many times you change the recipe files.

Processing in Trueflow In Trueflow, the PolishedInput recipe conversion option recognizes the recipes embedded in the PDFs and makes it possible to convert RGB images using the recipes to print high quality images.

Furthermore, when digital RGB images are used, with a variable scale depending on layout, it is possible to output these images with optimal sharpness effect applied in their actual sizes after changing the magnification. For details on the use and points to be noted regarding the support of these RGB workflows, refer to the information provided from each product.

Normally they are created in CMYK color mode. Overprint In the same manner as that of the transparency effect described above, regarding overprint, the data may not be processed as you expected when different color modes are present on the same page and special care must be taken when creating data.

RGB objects and overprint Since overprint is an independent process that is applied for each separation used for printing, it is only available for CMYK and spot color. Basically, overprint cannot be set to RGB objects that use a color value. However, overprint can be set to a spot color that will be printed using a different separation. The detailed processing results are shown in the table below. Since overprint is an independent process that is applied for each separation used for printing, it is only available for CMYK and spot color.

The "NG" symbol does not indicate that overprint is not applied, but indicates that the result is undefined. For this reason, using overprint with the "NG" symbol is not recommended. For example, the overprint is applied in the following situations even in the RGB workflow. Overprint can be applied for the overlapping spot color object and RGB object regardless of the overlay priority.

However, as a specific function of SpektacolorIn, it is possible to simulate a spot color separation by reproducing a spot color mixing 4 to 8 process colors for multi-color printing.

This function enables spot color simulation at high level and increases the possibility of omitting a spot color separation by using a combination of an FM screening, such as Spekta and Randot-X, and very fine screening. If an RGB image is included, apply an appropriate countermeasure while referring to "Color management and RGB workflow" P43 so that the required quality will result.

Do not output the RGB image without a countermeasure applied. The preflight result is displayed in a dialog box. Otherwise, the RGB image portion may be output using unexpected colors. Specify the file name and save location in the Export dialog box, which is displayed, and click the "Save" button.

The "Export PDF" dialog box is displayed. Make settings for each panel according to the descriptions below. Compression Compression setting The lossless compression setting is used because the emphasis is on quality in the Presets files. When performing JPEG compression, make sure that there is no problem with quality before changing the setting.

Compression Make the setting as necessary. Make the setting as necessary. Same value as Trueflow IV. Output We recommend the setting shown on the right, but change the setting as is necessary. Output A change of setting will affect the image quality output. If the setting is changed, it is necessary to ensure that there is no problem with the output image quality beforehand. If an error occurs when RIP'ing very complex data, including data with transparency processing, review "More information about the Transparency Flattener Options" P13 and then change the settings using "Edit" - "Transparency Flattener Presets".

Security Do not make any settings. Security settings If security settings are made, there will be times when Trueflow ends in an error, resulting in improper output. Do not make any security settings. Click the "Export" button to save the file.

Embedding of images CS2 Embed the images rather than linking them. P95 CS3 or later does not have this restriction. Marks and Bleeds [ Bleeds ]: The value to be set here must be matched up with the set value in Trueflow. Marks Bleeds Make the setting as necessary.

Same value as Trueflow. Change as necessary. If security settings are made, there will be times when Trueflow ends in an error, resulting in improper output. The transparent objects are tiled in accordance with the preset parameters.

For procedure to install presets, refer to "PDF export presets" P Specify the file name and save location in the Export dialog box, and click the Save button to display the Export PDF dialog box. General Pages Make the setting as necessary. This section describes how to create PDF 1. Saving as PDF 1. It is, therefore, if there are objects which are placed out of bleed area, PDF's paper size MediaBox will be larger than IllustratorCS's document size.

If using Trueflow to process PDF1. Make the following settings and click the "Save" button in the Save As dialog box. Save As Where Format Specify a file name. Specify a save location for the file.

General Warning upon saving If you save with the Preserve Illustrator Editing Capabilities option Off, the following dialog box is displayed. Click Yes to save the data. This message warns that you will not be able to edit areas where transparency has been applied because the transparency is flattened when the file is saved.

Compatibility Acrobat 4 PDF 1. Advanced [ Preset ] Output with "High Resolution" selected normally. Click Save PDF. Do not change any of the other settings with following procedure. The Export as PDF dialog box is displayed. Compression Compression Resolution Make the setting as necessary. Transparency [Flattening Resolution] Change the setting as appropriate according to the content of the imported data. Please do not select OPI. It is necessary to export PostScript in which transparency cannot be encoded, so at that point, you must make the appropriate transparency flattening settings, and RGB images also cannot be included.

This section describes the steps for verifying using Acrobat 9 Professional. Select the appropriate profile from the Preflight list, and click "Execute" to run the Preflight check. After the completion, the preflight results will be displayed. Preflight: results in detail You can view more information on the verification results by selecting an item from the "Overview" and "Preflight information" pulldown menus. Information such as "Overview" and "Preflight information" is displayed when you check the "Show detailed information about document" checkbox.

For procedure to install presets, refer to "Print presets for PS output" P In the "Print" dialog box, which is displayed, make settings for each panel according to the descriptions below. Print Presets Trueflow 1. General Pages Options Make the settings as necessary. Make the settings as necessary. Regardless of the settings for register marks and bleeds, an appropriate size is used for output. By setting "TrimBox" for the PDF origin in the Import on Trueflow, even if the paper size is set to "Auto", accurate page origin information can be imported.

See the Trueflow User's Manual for more information about this setting. Marks Bleed and Slug Bleed Make the settings as necessary. Same value as Trueflow [ Bleed ]: The value to be set here must be matched up with the set value in Trueflow. Screening: Set the same screening as for the output device setting. If there is no setting that is exactly the same, select the setting closest to the output device setting. Color separation and section settings If you specify color separation, do not use "Page Numbering Options" section prefix names.

Graphics Do not change this. Color Management A change of setting will affect the image quality output. While in InDesign CS, when low res EPSs created in Photoshop are used, the original file name information is not included in the PostScript data, resulting in the OPI processing not being performed and the low res images being output as they are. This setting to OFF normally. Set all the settings to OFF normally.

When you do this, the output quality may be affected, so check that there is no problem with the output quality. After making all the settings above, click the "Save" button.

Save PostScript File 4. Specify the file name and save location, and click the "Save" button to save the file. Saving as EPS format 1. Save As dialog box 2. After making the settings below, click the "Save" button. Illustrator EPS eps. Make each setting as necessary, and click "OK" to save your settings. If this setting is turned ON, a problem may occur in the gradient quality. Set the same screening as for the output device setting. Color Management Normally, the color management setting area is grayed out.

However, if you turn on "Color Management" in the "Edit" menu, setting will be enabled. This setting is generally not used.

In the displayed Save PostScript File dialog box, specify the name of the file and location where it is to be created, and click the Save button. Print Dialog setting when using Presets for Trueflow Style 1. Select the "File" - " Print The "Print Layout" dialog box is displayed. There are times when you may get unexpected results if you change any of the other settings. For procedure to install presets, refer to "Output Style Setup" P In the Dialog box, which is displayed, make settings for each panel according to the descriptions below.

Print Layout [ Spreads ] : Either of the settings for "Spreads" is acceptable, but if you check the "Spreads" option, you must make the page size larger. By setting "TrimBox" for the PDF origin in the Import on Trueflow, even if the paper size is set to "Auto", accurate page origin information can be imported Device Options PPD Paper Size Width Height Resolution use the latest version provided with Trueflow Custom As long as the sizes in "Paper Width" are larger than the size of the paper to be output plus the bleed same as the "Offset" and the register marks 17 mm for both sides , any size is acceptable.

Set the "Resolution" appropriate for the actual output device. Colors [ Setup ]: In the English version of QuarkXPress6, the spot color used on the objects below is output as a proxy color of a process color. In order to output documents containing these objects, can output properly by selecting "Truflow PS Color 1.

Bleed [ Amount ] : Even if you set different values for the top, bottom, left and right bleed values, it will not be possible to process the bleeds correctly. TIFF image files imported with the above setting are output as they are. After you finish making the above settings, output the PS file using the steps below.

Click the Page Setup When using Mac OS X Printer Trueflow Presets Standard 6. In the "Save to File" dialog box that appears, specify the file name and the save destination, and then click "Save In a normal application, the file is saved at this stage.

For procedure to install presets, refer to "Install Print Style" P Layout [ Spreads ] : Either of the settings for "Spreads" is acceptable, but if you check the "Spreads" option, you must make the page size larger. Same value as Bleed of Trueflow.

By setting "TrimBox" for the PDF origin in the Import on Trueflow, even if the paper size is set to "Auto", accurate page origin information can be imported Printer Description Paper Size Paper Width Paper Height Orientation use the latest version provided with Trueflow Custom As long as the sizes in "Paper Width" are larger than the size of the paper to be output plus the bleed same as the "Offset" and the register marks 17 mm for both sides , any size is acceptable.