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It sounds like walking the block on a windy night in the winter. It is often supported for compatibility reasons by current operating systems for personal computers and many mobile devices and embedded systems , allowing interchange of data between disparate systems. A piano player, he used his keyboards frequently on the air, and even took gigs at nightclubs as a song-and-dance man. Operating system utilities may not identify which version will be used to format a device.

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He died in Billy Bass. Bass built one of the most versatile careers in the history of Cleveland radio. He is now a professional photographer in Cleveland. Billy Bass is at far left in the photo, kickin' it with the WHK crew, circa Victor "Uncle Vic" Blecman.

Over the years, Blecman also released several novelty songs, the most popular being "Space Invaders," which went to No.

Ruby Cheeks. Since leaving Cleveland in the s, she has worked in radio in various big-city markets, including Philadelphia and Phoenix. Howie Chizek. Chizek was among the most opinionated and durable radio personalities in local history. He was also the longtime public-address announcer for the Cleveland Cavaliers. He died in at the age of Chuck Collier. He died of a heart attack in Marty Conn.

Conn's entertainment company operates out of Beachwood, Ohio. Robert Conrad. WCLV moved to Hugh Danaceau. He also wrote a column for the Sun newspaper chain. Gary Dee. One of Cleveland's most controversial and popular radio show hosts, Dee pioneered the shock-jock format. He loved to confront local politicians and had an ongoing on-air "battle" with Cleveland City Council's legendary George Forbes.

Dee died in November Lisa Dillon. She remained with the station until Chuck Dunaway. Tommy Edwards. Edwards is credited with being one of the first DJs to play an Elvis Presley record on Cleveland airwaves.

He was also instrumental in bringing a young Presley to Cleveland for concerts at the Circle Theater. He does the podcast under his real name, Philip Keller. Maria Farina. She stayed on when the station switched formats to modern rock in , becoming She worked there until According to her LinkedIn page, she now works as a freelance voice actor and author. Joseph Albert Joe Finan. He was one of the radio station's top DJs when he got caught up in the payola scandal that rocked the radio business in the late s.

He was called to testify at congressional hearings and admitted accepting cash and gifts to play records. The practice wasn't illegal at the time, but he left Cleveland amid the scandal and ended up in Denver, where he worked in talk radio. He finally settled at WNIR in the s and worked there until shortly before his death in Brian Fowler and Joe Cronauer. Proud Parma natives, this longtime duo is better known as the affable hosts of "The Brian and Joe Show.

The two went their separate ways in Brian and Joe were the first to broadcast from the Rock and Roll Hall of Fame's radio station in Pete Franklin. Pete Franklin did his last regular broadcasts in and died in , but he is still, in many ways, the best-known sports-talk radio host in Cleveland.

His confrontational style — with fans and sports figures alike — made him controversial, but he was a consummate showman and listeners flocked to his program. One of those listeners — Mike Trivisonno, became such a popular caller that he eventually was given his own radio show. Franklin left Cleveland at the height of his fame in for New York, but he flopped there and was back in town by Alan Freed. The most famous radio personality in Cleveland history, and a pioneer of early rock 'n' roll.

Contrary to popular opinion, Freed did not coin the phrase "rock'n' roll," but he was certainly instrumental in popularizing it and spreading the revolution around the world. The R and B records he played were a hit with black and white listeners alike, and Freed dubbed himself "The King of the Moondoggers.

He presided over what many consider the first-ever rock concert, the Moondog Coronation Ball, held March 21, , at the old Cleveland Arena. Freed left Cleveland for New York in , where he became a national figure, hosting a nationally syndicated radio show and a weekly TV program on ABC. He was featured in several early rock 'n' roll movies and put together concerts that toured the nation. He got caught up in the payola scandals of the early s, and left New York.

He was trying to revive his career on the West Coast when he died, at age 43, in His ashes were brought back to Cleveland in , where they were on display in an urn until They were moved to Lake View Cemetery in Photo courtesy of Alan Freed family.

He briefly worked mid-days at the end of his career, but soon retired. Shane "Rover" French. The show is known for its outrageous stunts and banter. The show's big following has spawned an annual summer festival, Roverfest, which has been held in Lorain for the past three years.

In , Rover pleaded guilty to four misdemeanors in relation to the illegal use of fireworks and a confrontation with an off-duty police officer at the Whiskey Island marina in downtown Cleveland. Jacqueline Gerber. Her traffic and weather reports are witty, too, with Gerber calling herself things like "the Pollyanna of the Pavement" and putting on her "traffic tiara" to report the day's tie-ups. If you hear her take about problems on "the hypotenuse," she's referring to I between I and Downtown.

Len "Boom Boom" Goldberg. His was the booming voice on the station's hourly IDs, music segues, sweepers, and commercials. He was also a member of "The Buzzard Morning Zoo" in the mids. John Gorman. Gorman returned to the Buzzard for a second brief run from , but has spent most of the past 20 years as a radio consultant. In , he founded oWOW, a thriving Cleveland-based internet radio. Lucy Grant. Donna Halper. She was among the first DJs to put the group's seven-minute opus, "Working Man," into regular rotation.

Halper left Cleveland in to work at Mercury Records in New York City, then spent years working in radio as a consultant and various other capacities. Today, she is an assistant professor of communication at Lesley University in Cambridge, Mass. She has written several books, including "Boston Radio: Tom Hamilton. Waaaaaay back! It's gone! He became a fan favorite during the Indians s heyday, known for his baseball knowledge, enthusiasm and trademark calls.

He remains the radio voice of the Indians, currently working with Jim Rosenhaus. In the baseball off-season, Hamilton calls college basketball games for the Big Ten Network. One of the first black DJs in Cleveland radio, Hawkins broadcasted from the front of his record store on E.

He was on the air when Alan Freed arrived in Cleveland and reportedly had influence on Freed's DJ style and musicals tastes. A jaw injury, suffered in a car accident, affected his speech and ended his radio career. Any condition Any condition. Last one Free postage. See all 6 - All listings for this product. Show more Show less. No ratings or reviews yet No ratings or reviews yet. Be the first to write a review. Best-selling in CDs See all.

Smif-N-Wessun had a knack for slipping in and out of patois, as they rapped over jazzy grooves courtesy of Da Beatminerz. In New York, your area code is just as fundamental to your hometown pride as any other locality marker. Banks burst onto the scene at the top of the decade as a boundary-breaking force, interpolating her skillful raps with beat structures emerging from ballroom culture — no one else does Hot 97 Summer Jam and Mermaid Ball in the same day — while sharing just a flash of the vocal dexterity that is part and parcel of her avant-garde sonic universe.

Rae, Ghostface Killah, and Cappadonna each spit their game at ladies as Method Man compares them to different ice-cream flavors, all over a characteristically sparse soundbed by RZA.

Biggie has bigger tracks and more impressive lyrics, but this is him and producer Nashiem Myrick at their Brooklyn finest, with Puff at his ad-lib finest, elevating it to an anthemic level. Though not the first to fuse jazz and hip-hop, few before or after did so with such reverent respect for the source material.

So for the second single of his album R. It sounds like walking the block on a windy night in the winter. G Rap is the father of NYC street rap, and no song captures the essence better. This track is the foundation of storytelling in hip-hop, a casual tale of cops and robbers that could be placed in any of the five boroughs.

In these four minutes with no chorus, a year-old is pulled into a life of crime before facing the consequences. Marley Marl and Big Daddy Kane worked magic in the studio, and this single may be their best work. Public Enemy has bigger songs, but no track is more quintessentially P. It summarizes everything great about the Bomb Squad, with Chuck D coming from a lower level and Flavor Flav riding shotgun. Rap owes a great debt to MC Lyte. Lost Boyz mastered the art of balancing grimy street appeal with infectious hooks, and they showcase their winning formula on this classic single.

His album Walking With a Panther was successful, but the Queens legend was accused of being out of touch in the era of Public Enemy and N. LL fired back with this Marley Marl—produced bomb, a declaration of dominance and creative focus as a new decade dawned.

Jay-Z vs. Nas was a legendary war of words. Rakim has never wavered. When Marley Marl invited the precocious teenager into his home studio and suggested Rakim rap more animatedly, the young MC held firm, insisting that steely cool was his greatest asset. He was right: The title track from Paid in Full is a study in poise — and in the labyrinthine internal rhymes Rakim pioneered.

The jiggy era dealt in brain-freezing excess — from motorboat chase sequences in music videos to samples of disco hits that must have cost a small fortune. Simple track, simple rhymes: the components of a foundational classic.

Stepping out from Junior M. Enter your mobile number or email address below and we'll send you a link to download the free Kindle Reading App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required. To get the free app, enter your mobile phone number. Read more Read less.

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Don't think as far as if it'll sell or not and marketing and things like that. For that, leave it to someone who knows that stuff. Takamatsu: Like "I'm an idiot, but It should go to someone who's good at that stuff.

I reckon it's more constructive for me to be bringing the things I like into reality. I generally think of projects going with the flow and momentum, and if anyone asks me about targets or profits I just say, "I don't know the details" laughs.

Takamatsu: I just like the series laughs. Really though, it's probably not a good practice as a businessman. Takamatsu: Rather than thinking of practicality, I just want to get the project moving.

That instinct of "How about we do this? Wouldn't it be cool? Takamatsu: Lately I sometimes do get into a mood like "The build of this part is too complicated, we should think this through When we begin a project we start at a point where we don't know anything, so we make use of what we don't know.

If we know it too well, there are cases where we get stopped by the thought, "This might not be possible" at the design stage. I also feel that we should use the thought, "We should bring this into reality" as a driving force to move forward.

I still think so now even having gained experience. It's like the starting point for furthering projects. TOM: It may be that it's not possible for new ideas to appear after knowing your limit.

Takamatsu: I think that momentum is a necessary thing. Consider the cost of this High Elf Archer, it has a lot of parts.

If I think carefully about it I might hold myself back In that case, I'd rather stay an idiot. TOM: Yes, it may be better to just bring it out without thinking about money and adjust it later. I feel that if you're going on about the money, you won't be able to make anything good any more.

Of course, if the structure is simple the costs will go down. Who would want this figure? So that's not good either. We have to make something that someone would want, and if it's not something about which I could think "Wow", just who else would think so too?

Like "Hey isn't this awesome! It really is! But I think it's better to think that way. Well, I ask them sculptors, etc. I get the people around me to do it, so it's pretty much like I'm the most useless one laughs.

Takamatsu: I'm straying from the subject, but I also do projects for merch. There are a lot of merch around now, so I'm aiming for something different in a way that other makers aren't. Like, is there a demand for this? But personally I find it interesting so I want to try making merch for that. For events like live concerts in particular, customers' expectations for merchandise are high. At such times, items with high unit costs actually sell well.

The customers' demands and ideas are aligned. If you think of costs from the beginning, it's hard to release a product.

You don't know what will succeed, so if you look at surpluses and costs from the beginning, you won't be able to think of anything for sure. Takamatsu: You don't know what will definitely sell, and you just have to do the best you can do right now. In regards to products whose use you don't know, I ask anyone who buys to think of how to use them!

Do what you can do yourself, and leave what you can't to others. It's simply an issue of your own domain. It'd be nice to be an all-rounder who can do everything, but I'm still far off from that Takamatsu: Sorry for it being a reason like that, all you fans out there laughs.

TOM: Thinking about it from the protagonist's point of view, she's in a heroine-like position. Takamatsu: That's true as well. Since before the anime, I thought she'd be a huge highlight of the final stage for sure. And she's also a character who can't be separated from the protagonist, Goblin Slayer. Takamatsu: I'll start with Cow Girl. Nothing's more important to a figure than its face, so that. I also paid attention to the feel and texture of her outfit's material. Takamatsu: In order to emphasise the style, we made sure to give it a sense of liveliness.

People who can properly create moulds like this are really amazing. This outfit with dirt still on it still expresses sexiness.

The person in charge of coloring also likes Goblin Slayer , so the colors all look gorgeous too. It goes for the sculptors as well, but I hope to be able to ask someone who likes the series for coloring work.

Takamatsu: This character has so much going on, its highlights is dynamic shaping like the hood and bow. And like Cow Girl, her expression turned out really well. The person who put in the green in her eyelashes is also amazing. I feel that we really need to give it our everything producing it so that the high quality of this color sample is properly reflected in the final product.

Takamatsu: By the way, the knives on her sides are obsidian in the story. So, I got them to bring out the texture of obsidian. It's very smooth. You almost can't see it though. I hope somebody notices laughs. But it's the things like this that are important. Even if nobody notices, that's fine. Oh, and her shorts were also made into an exquisite shape. TOM: Lastly, could you give Phat! Takamatsu: Many talented people, such as our own members including sculptors and finishers, are involved in the products that Phat!

Also, I hope that you'll be able to relate to what I like. I'll continue to do what I can to convey this. We hope you support us in the future too.

These are your people. Tokyo Otaku Mode. Shop News Gallery Otapedia. Sign Up. Created by Phat's Mr. TOM: Was your previous job also in the figure business? TOM: Please tell us how you got to know Mr. TOM: Since joining in , what kind of work have you been involved in? TOM: What kind of projects did you take on after that? Any condition Any condition. Last one Free postage. See all 6 - All listings for this product.

Show more Show less. No ratings or reviews yet No ratings or reviews yet. Be the first to write a review. Best-selling in CDs See all. You may also like. Various Music CDs. Various Compilation Music CDs. Various Latin Music CDs. Various Remastered Music CDs. Various Classics Music CDs.

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