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QuartzQuartz refers to a family of crystalline gemstones of various colours and sizes. Among the well-known types of quartz are rose quartz which has a delicate pink colour , and smoky quartz which comes in a variety of shades of translucent brown. A number of other gemstones, such as Amethyst and Citrine, are also part of the quartz family. Rutilated quartz is a popular type of quartz containing needle-like inclusions. RubyRubies are known for their intense red colour and are among the most highly valued precious gemstones.

Rubies have been treasured for millennia. In Sanskrit, the word for ruby is ratnaraj, meaning king of precious stones. SapphireThe most popular form of sapphire is blue sapphire, which is known for its medium to deep blue colour and strong saturation. Fancy sapphires of various colours are also available. In the United States, blue sapphire tends to be the most popular and most affordable of the three major precious gemstones emerald, ruby, and sapphire.

TurquoiseTurquoise is found in only a few places on earth, and the world's largest turquoise-producing region is the southwest United States. Turquoise is prized for its attractive colour, most often an intense medium blue or a greenish blue, and its ancient heritage. Turquoise is used in a great variety of jewellery styles. It is perhaps most closely associated with southwest and Native American jewellery, but it is also used in many sleek, modern styles.

Some turquoise contains a matrix of dark brown markings, which provides an interesting contrast to the gemstone's bright blue colour. Some gemstones like pearls, coral, and amber are classified as organic, meaning that they are produced by living organisms. Others are inorganic, meaning that they are generally composed of and arise from minerals. Some gems, for example, amethyst, have become less valued as methods of extracting and importing them have progressed.

Some man-made gems can serve in place of natural gems, such as cubic zirconia, which can be used in place of diamond. For platinum, gold, and silver jewellery, there are many techniques to create finishes. High-polished jewellery is the most common and gives the metal a highly reflective, shiny look. Satin, or matte finish reduces the shine and reflection of the jewellery, and this is commonly used to accentuate gemstones such as diamonds.

Brushed finishes give the jewellery a textured look and are created by brushing a material similar to sandpaper against the metal, leaving 'brush strokes'. Hammered finishes are typically created by using a rounded steel hammer and hammering the jewellery to give it a wavy texture.

Some jewellery is plated to give it a shiny, reflective look or to achieve a desired colour. Sterling silver jewellery may be plated with a thin layer of 0. Base metal costume jewellery may also be plated with silver, gold, or rhodium for a more attractive finish.

Impact on society[edit]Jewellery has been used to denote status. In ancient Rome, only certain ranks could wear rings;[15] later, sumptuary laws dictated who could wear what type of jewellery. This was also based on rank of the citizens of that time. Cultural dictates have also played a significant role. For example, the wearing of earrings by Western men was considered effeminate in the 19th century and early 20th century.

More recently, the display of body jewellery, such as piercings, has become a mark of acceptance or seen as a badge of courage within some groups but is completely rejected in others. Likewise, hip hop culture has popularised the slang term bling-bling, which refers to ostentatious display of jewellery by men or women. Conversely, the jewellery industry in the early 20th century launched a campaign to popularise wedding rings for men, which caught on, as well as engagement rings for men, which did not, going so far as to create a false history and claim that the practice had medieval roots.

Islam, for instance, considers the wearing of gold by men as a social taboo,[17] and many religions have edicts against excessive display. In Revelation 17, 'the great whore' or false religious system, is depicted as being 'decked with gold and precious stones and pearls, having a golden cup in her hand. History[edit]The history of jewellery is long and goes back many years, with many different uses among different cultures.

It has endured for thousands of years and has provided various insights into how ancient cultures worked. Prehistory[edit]The earliest known Jewellery was actually created not by humans Homo Sapiens but by Neanderthal living in Europe.

Specifically, perforated beads made from small sea shells have been found dating to , years ago in the Cueva de los Aviones, a cave along the southeast coast of Spain. Later in Kenya, at Enkapune Ya Muto, beads made from perforated ostrich egg shells have been dated to more than 40, years ago.

In Russia, a stone bracelet and marble ring are attributed to a similar age. In some cases, jewellery had shell or mother-of-pearl pieces. The Venus of Hohle Fels features a perforation at the top, showing that it was intended to be worn as a pendant. Around seven-thousand years ago, the first sign of copper jewellery was seen.

Necklace; gold, carnelian, lapis lazuli, turquoise, garnet. Pectoral; gold, carnelian, lapis lazuli, turquoise, green feldspar. An Egyptian 18th dynasty pharaonic era princess' crown. The first signs of established jewellery making in Ancient Egypt was around 3,—5, years ago.

In Predynastic Egypt jewellery soon began to symbolise political and religious power in the community. Although it was worn by wealthy Egyptians in life, it was also worn by them in death, with jewellery commonly placed among grave goods.

In conjunction with gold jewellery, Egyptians used coloured glass, along with semi-precious gems. The colour of the jewellery had significance. Green, for example, symbolised fertility.

Lapis lazuli and silver had to be imported from beyond the country's borders. Egyptian designs were most common in Phoenician jewellery. Also, ancient Turkish designs found in Persian jewellery suggest that trade between the Middle East and Europe was not uncommon.

Women wore elaborate gold and silver pieces that were used in ceremonies. Walters Art Museum collections.

By approximately 5, years ago, jewellery-making had become a significant craft in the cities of Mesopotamia. The most significant archaeological evidence comes from the Royal Cemetery of Ur, where hundreds of burials dating — BC were unearthed; tombs such as that of Puabi contained a multitude of artefacts in gold, silver, and semi-precious stones, such as lapis lazuli crowns embellished with gold figurines, close-fitting collar necklaces, and jewel-headed pins.

In Assyria, men and women both wore extensive amounts of jewellery, including amulets, ankle bracelets, heavy multi-strand necklaces, and cylinder seals.

Favoured shapes included leaves, spirals, cones, and bunches of grapes. Jewellers created works both for human use and for adorning statues and idols. One record in the Mari royal archives, for example, gives the composition of various items of jewellery: 1 necklace of flat speckled chalcedony beads including: 34 flat speckled chalcedony bead, [and] 35 gold fluted beads, in groups of five. A Greek Gold Wreath. Pendant with naked woman, made from electrum, Rhodes, around — BC. Ancient Greek jewellery from BC.

These Hellenistic bracelets from the 1st century BC show the influence of Eastern cultures. Walters Art Museum, Baltimore. Hexagonal gold pendant with double solidus of Constantine the Great, one of a set of four that date from AD British Museum. Around BC, the main techniques of working gold in Greece included casting, twisting bars, and making wire.

The forms and shapes of jewellery in ancient Greece such as the armring 13th century BC , brooch 10th century BC and pins 7th century BC , have varied widely since the Bronze Age as well. Other forms of jewellery include wreaths, earrings, necklace and bracelets. Jewellery dating from to BC is not well represented in the archaeological record, but after the Persian wars the quantity of jewellery again became more plentiful.

By BC, the Greeks had mastered making coloured jewellery and using amethysts, pearl, and emeralds. Also, the first signs of cameos appeared, with the Greeks creating them from Indian Sardonyx, a striped brown pink and cream agate stone. Greek jewellery was often simpler than in other cultures, with simple designs and workmanship.

However, as time progressed, the designs grew in complexity and different materials were soon used. Jewellery in Greece was hardly worn and was mostly used for public appearances or on special occasions. It was frequently given as a gift and was predominantly worn by women to show their wealth, social status, and beauty.

The jewellery was often supposed to give the wearer protection from the 'Evil Eye' or endowed the owner with supernatural powers, while others had a religious symbolism. Older pieces of jewellery that have been found were dedicated to the Gods.

They worked two styles of pieces: cast pieces and pieces hammered out of sheet metal. Fewer pieces of cast jewellery have been recovered. It was made by casting the metal onto two stone or clay moulds.

The two halves were then joined together, and wax, followed by molten metal, was placed in the centre. This technique had been practised since the late Bronze Age. The more common form of jewellery was the hammered sheet type. Sheets of metal would be hammered to thickness and then soldered together. The inside of the two sheets would be filled with wax or another liquid to preserve the metal work. Different techniques, such as using a stamp or engraving, were then used to create motifs on the jewellery.

Jewels may then be added to hollows or glass poured into special cavities on the surface. The Greeks took much of their designs from outer origins, such as Asia, when Alexander the Great conquered part of it. In earlier designs, other European influences can also be detected. When Roman rule came to Greece, no change in jewellery designs was detected. However, by 27 BC, Greek designs were heavily influenced by the Roman culture.

That is not to say that indigenous design did not thrive. Numerous polychrome butterfly pendants on silver foxtail chains, dating from the 1st century, have been found near Olbia, with only one example ever found anywhere else.

Although jewellery work was abundantly diverse in earlier times, especially among the barbarian tribes such as the Celts, when the Romans conquered most of Europe, jewellery was changed as smaller factions developed the Roman designs.

The most common artefact of early Rome was the brooch, which was used to secure clothing together. The Romans used a diverse range of materials for their jewellery from their extensive resources across the continent. As early as 2, years ago, they imported Sri Lankan sapphires and Indian diamonds and used emeralds and amber in their jewellery.

In Roman-ruled England, fossilised wood called jet from Northern England was often carved into pieces of jewellery. The early Italians worked in crude gold and created clasps, necklaces, earrings, and bracelets.

They also produced larger pendants that could be filled with perfume. Like the Greeks, often the purpose of Roman jewellery was to ward off the 'Evil Eye' given by other people. Although women wore a vast array of jewellery, men often only wore a finger ring. Although they were expected to wear at least one ring, some Roman men wore a ring on every finger, while others wore none.

Roman men and women wore rings with an engraved gem on it that was used with wax to seal documents, a practice that continued into medieval times when kings and noblemen used the same method. After the fall of the Roman Empire, the jewellery designs were absorbed by neighbouring countries and tribes. Byzantine wedding ring. Post-Roman Europe continued to develop jewellery making skills. The Celts and Merovingians in particular are noted for their jewellery, which in terms of quality matched or exceeded that of the Byzantine Empire.

Clothing fasteners, amulets, and, to a lesser extent, signet rings, are the most common artefacts known to us. A particularly striking Celtic example is the Tara Brooch. The Torc was common throughout Europe as a symbol of status and power.

By the 8th century, jewelled weaponry was common for men, while other jewellery with the exception of signet rings seemed to become the domain of women. A young girl was buried with: 2 silver fibulae, a necklace with coins , bracelet, gold earrings, a pair of hair-pins, comb, and buckle. Note the Visigoth work shown here, and the numerous decorative objects found at the Anglo-Saxon Ship burial at Sutton Hoo Suffolk, England are a particularly well-known example.

The Eastern successor of the Roman Empire, the Byzantine Empire, continued many of the methods of the Romans, though religious themes came to predominate. Unlike the Romans, the Franks, and the Celts, however, Byzantium used light-weight gold leaf rather than solid gold, and more emphasis was placed on stones and gems. As in the West, Byzantine jewellery was worn by wealthier females, with male jewellery apparently restricted to signet rings.

Woman's jewellery had some peculiarities like kolts that decorated headband. Like other contemporary cultures, jewellery was commonly buried with its owner.

The Renaissance and exploration both had significant impacts on the development of jewellery in Europe. By the 17th century, increasing exploration and trade led to increased availability of a wide variety of gemstones as well as exposure to the art of other cultures. Whereas prior to this the working of gold and precious metal had been at the forefront of jewellery, this period saw increasing dominance of gemstones and their settings. An example of this is the Cheapside Hoard, the stock of a jeweller hidden in London during the Commonwealth period and not found again until It contained Colombian emerald, topaz, amazonite from Brazil, spinel, iolite, and chrysoberyl from Sri Lanka, ruby from India, Afghan lapis lazuli, Persian turquoise, Red Sea peridot, as well as Bohemian and Hungarian opal, garnet, and amethyst.

Large stones were frequently set in box-bezels on enamelled rings. When Napoleon Bonaparte was crowned as Emperor of the French in , he revived the style and grandeur of jewellery and fashion in France. Under Napoleon's rule, jewellers introduced parures, suites of matching jewellery, such as a diamond tiara, diamond earrings, diamond rings, a diamond brooch, and a diamond necklace.

Both of Napoleon's wives had beautiful sets such as these and wore them regularly. Another fashion trend resurrected by Napoleon was the cameo. Soon after his cameo decorated crown was seen, cameos were highly sought. The period also saw the early stages of costume jewellery, with fish scale covered glass beads in place of pearls or conch shell cameos instead of stone cameos. New terms were coined to differentiate the arts: jewellers who worked in cheaper materials were called bijoutiers, while jewellers who worked with expensive materials were called joailliers, a practice which continues to this day.

Romanticism[edit] Mourning jewellery in the form of a jet brooch, 19th century. Starting in the late 18th century, Romanticism had a profound impact on the development of western jewellery. Perhaps the most significant influences were the public's fascination with the treasures being discovered through the birth of modern archaeology and a fascination with Medieval and Renaissance art.

Changing social conditions and the onset of the Industrial Revolution also led to growth of a middle class that wanted and could afford jewellery. As a result, the use of industrial processes, cheaper alloys, and stone substitutes led to the development of paste or costume jewellery.

Distinguished goldsmiths continued to flourish, however, as wealthier patrons sought to ensure that what they wore still stood apart from the jewellery of the masses, not only through use of precious metals and stones but also though superior artistic and technical work.

A category unique to this period and quite appropriate to the philosophy of romanticism was mourning jewellery. It originated in England, where Queen Victoria was often seen wearing jet jewellery after the death of Prince Albert, and it allowed the wearer to continue wearing jewellery while expressing a state of mourning at the death of a loved one. Tiffany's put the United States on the world map in terms of jewellery and gained fame creating dazzling commissions for people such as the wife of Abraham Lincoln.

Later, it would gain popular notoriety as the setting of the film Breakfast at Tiffany's. The modern production studio had been born and was a step away from the former dominance of individual craftsmen and patronage.

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