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First Islamic bank transaction A purchase of goods in cash. Second, the Islamic bank transaction B bought in installments from the Islamic bank A for to then sell to other parties in cash worth In practice often tawarruq in Islamic bank financing is also equipped with wakalah contract, in which the Islamic bank to be as representative of the customers in buying goods needed. In another variation, a representative of Islamic bank in the sale. In another variation, a representative of Islamic bank in buying as well as representatives in selling.

Even in practice there are also Islamic bank which provides certainty of profits over a series of such transactions. Financing tawarruq popular overseas has not come to Indonesia because it did not get approval fatwa. Some Islamic banks that wish to offer these products have to postpone his plans.

Tawarruq indeed controversial. Not because tawarruq does not comply with sharia, but because its application is not in accordance with the spirit tawarruq known in the book of fiqh. Indonesian opinion of the scholars in this apparently received strong support from scholars abroad. After walking tawarruq products and become popular overseas, eventually the International Islamic Fiqh Academy, the world body formed by the Organization of Islamic Conference OIC , April ban on Islamic financial institutions to finance tawarruq.

Such confusion ensued antarekonom. Although Adam Smith, Ricardo, Marshall, Wicksell, Keynes clearly distinguish between the rate of profit rate of profits generated by the industrial sector and the interest rate rate of interest generated by the financial sector, confusion still rife.

Comment by Anonymous on April 19, at AM. C edric Moonen Mar Jagdish Vasani Mar Anonymous Feb Anonymous Dec ThatsAlok Nov RobJones Aug RobJones Sep Go to top. Layout: fixed fluid. Web Developer. United States. First Prev Next.

Thread Safety sweetfa Jan Hi, One point to note is that the MessageStringManager class is not thread safe. When running multiple threads which use this class there is potential for corruption of the string list unless CPtrList has it's own thread management which isn't clear from the documentation on MSDN.

From MSDN The apartment model is an approach to supporting embedded objects, such as ActiveX controls, within a multithreaded container application. Although the application may have multiple threads, each instance of an embedded object will be assigned to one "apartment," which will execute on only one thread.

In other words, all calls into an instance of a control will happen on the same thread. However, different instances of the same type of control may be assigned to different apartments. So, if multiple instances of a control share any data in common for example, static or global data , then access to this shared data will need to be protected by a synchronization object, such as a critical section.

Why CString on heap for PostMessage?? Sorry if this is obvious but I've been trying to pass a CString from a thread via SendMessage so the object doesn't go out of scope before being processed by a richedit control and have had the program crash due to a corrupted CString object it seems.

Anyway I went trolling and found this site. It's interesting that the first few lines specifically point out something I don't understand in relation to CString and using it to sendmessages, ie. New York: Penguin, , Kimmel, Michael, ed. Men Confronting Pornography. New York: Crown, Lederer, Laura, ed. Take Back The Night. Leidholdt, Dorchen. Mackenzie, Christobel. MacKinnon, Catharine A. Feminism Unmodified: Discourse on Life and Law.

Cambridge: Harvard UP, Toward a Feminist Theory of the State. London: Harvard UP, Marcus, Steven. New York: W. O'Neill, Eileen. Rich, Adrianne. Ross, Andrew.

Rubin, Gayle. Segal, Lynn. Is The Future Female? New York: Peter Bedrick, Sex Exposed: Sexuality and the Pornography Debate. London: Virago, Seidman, Steven. London: Routledge, Romantic Longings: Love in America, Smith, Anna Marie. Snitow, Ann Barr. Desire: The Politics of Sexuality. Soble, Alan. Pornography: Marxism, Feminism, and the Future of Sexuality. New Haven: Yale UP, Tieffer, Leonore. Boulder, CO: Westview, Vance, Carole S.

Pleasure and Danger: Exploring Female Sexuality. London: Pandora, , Warner, William Beatty. As my reference to Levi-Strauss indicates, they aren't even really things at all. Is "the poem" this printed copy or that handwritten copy or this oral performance or this mental representation?

Thanks again for your comment, and take good care. The word political is in a sense like the term liberal, in that it has been demonized. For instance a poem on a homeless man living under an interstate bridge. The intent is not political, but the interpretation might be. And the only thing that might "happen" might be for someone who has read the poem to glance under the bridge while she drives home from work. If a poet steps over a dying man to write a poem about the enormous skyscraper and how it touches the heavens….

Thanks, great stuff. Michael Catherwood. Maybe that's what George Oppen would do I kind of hate to say this or even think it, but isn't poetry always necessarily stepping over dying men and women?

Yesterday Martin Espada gave a talk on Neruda. He spoke about Neruda's politicalization, his turning away from poetry that was primarily concerned with beauty. But despite the aphoristic appeal of that statement, I think it's a shame that essayists don't go to what follows in passage from which it's excerpted. Reginald, I believe you sum the matter in this statement: "Poetry is potentially liberating because its uselessness marks out a space not colonized by or valued by capital.

It seems to be political poetry week here in Hartford. Just got back from hearing Sam Hamill speak and read. He's got opinions for sure about politics and poetry. He derisively stated that the U. I posted a note to the New-Poetry listserv the other day about the 'efficacy' issue in political poetry. I said that a citizen-baker might bake pretzels shaped like peace-signs.

A citizen-barber might shave his head. And of course the citizen-poet would turn to writing poems when moved by political circumstance. The citizen-gunsmith might begin boring rifle barrels in his basement, and that might be the most efficacious act in a brutal political struggle, but it may not be the means that other citizens would choose to register protest or to fight injustice.

And why would a poem be less efficacious than carrying a handwritten placard in a march or writing a letter to the editor or spray-painting graffiti in a subway. Many political struggles build by an accumulation of smaller acts.

J Finnegan.

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How to sound like The Klams. October 13 Its halloween, Im a librarian In a Halloween mood. Michael Catherwood. Maybe that's what George Oppen would do I kind of hate to say this or even think it, but isn't poetry always necessarily stepping over dying men and women? Yesterday Martin Espada gave a talk on Neruda. He spoke about Neruda's politicalization, his turning away from poetry that was primarily concerned with beauty. But despite the aphoristic appeal of that statement, I think it's a shame that essayists don't go to what follows in passage from which it's excerpted.

Reginald, I believe you sum the matter in this statement: "Poetry is potentially liberating because its uselessness marks out a space not colonized by or valued by capital. It seems to be political poetry week here in Hartford.

Just got back from hearing Sam Hamill speak and read. He's got opinions for sure about politics and poetry. He derisively stated that the U. I posted a note to the New-Poetry listserv the other day about the 'efficacy' issue in political poetry. I said that a citizen-baker might bake pretzels shaped like peace-signs. A citizen-barber might shave his head. And of course the citizen-poet would turn to writing poems when moved by political circumstance. The citizen-gunsmith might begin boring rifle barrels in his basement, and that might be the most efficacious act in a brutal political struggle, but it may not be the means that other citizens would choose to register protest or to fight injustice.

And why would a poem be less efficacious than carrying a handwritten placard in a march or writing a letter to the editor or spray-painting graffiti in a subway. Many political struggles build by an accumulation of smaller acts.

J Finnegan. Thanks to all for reading and commenting. With particular regard to James's comments, Auden's point is that what poetry makes happen is not measurable in purely practical or instrumental terms. As James quotes from "In Memory of W. Yeats," poetry survives in the valley of its making, a way of happening.

It survives, when it survives, in the mouths and ears and minds of its readers and listeners, and whatever it makes happen, happens there. The changes poetry makes are changes in consciousness, and there is no guarantee of them. Reading and thinking about literature can make one a better person, but it might just make one someone who has read and thought about literature. Auden's poem certainly implies no practical outcome to poems, let alone a predictable one. Even as a discursive act, writing a poem is less effective than carrying a placard in a demonstration or writing a letter to the editor, in part because of poetry's bracketing off from praxis, its contemplative nature, whereas placards and letters to the editor are universally acknowledged parts of the public sphere, of civil society.

I also don't see poems as a very efficient or efficacious way to convey a singular and directive "message. I have doubts about just what agit-prop itself which is usually preaching to the converted accomplishes in real terms.

Oppen's example is important to me not because I wish or plan to give up poetry, or even because his political activities had any great practical outcome I don't know whether they did or not , but because it is a demonstration of the simple fact that to be "a poet" doesn't define, let alone restrict, all the possibilities of one's life or one's actions. Your examples reminded me of the essay "The Bomb" by Eliot Weinberger in his book Works on Paper , who is a very sharp thinker about the relationships of poetry, politics, and society, though I don't always agree with him.

He notes that it's rarely considered that "the poet is also a citizen capable of activities other than writing poetry and that the poet is also a writer capable of writing something other than poetry.

I didn't even believe in the honesty of a man saying, 'Well I'm a poet and I will make my contribution to the cause by writing poems about it. On the question of political art or agit-prop which is not the same as art that engages political material as its subject matter , of art that primarily aims at a practical result, I think that such attempts transform the enabling uselessness of art into a despairing futility.

As art critic Abigail Solomon-Godeau writes of the s leftist German photomontagist John Heartfield, "[his] covers for AIZ Arbeiter Illustriete Zeitung had no discernible effect on the rise of fascism, although he was able to draw upon two important historic conditions unavailable to [today's] contemporary artists a mass audience and a definable left culture.

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