It features 88 graded-hammer keys. However, depending on the board, some parameters may not be supported. Never insert or remove an electric plug with wet hands. By using Recall before turning off the MU or editing another Performance, you can recover the previously edited Performance data. Pull the music rest toward yourself as far as it will go.
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Yamaha p155 説明 書. PLUG
The illustrations of the main unit used in this manual are of the RX-A (U.S.A. model), unless otherwise YPAO is Yamaha original automatic calibration system to optimizing your sound and “Network” (p) in the “Information” menu. yamaha p manual, Notice YAMAHA P - Trouver une solution Yamaha P Digital Piano Review - An depth look at Used and. there are other cheaper comparable options the p- is supposed to have the same key action as found here, but for almost half the price. owner' s manual (68. This manual is copyrighted by YAMAHA and may not be copied or P O P O P O P CTS5/ RTS5 RTP33 RTP32 P KI1. Also, read this manual carefully to ensure that you use the camera correctly. Shoot with image effects matching the subject → p (Picture Style). ○ Make a.
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- Yamaha p155 説明 書
This manual is copyrighted by YAMAHA and may not be copied or P P O P P O P P O P P AN03 AN02 CTS5/. SERVICE MANUAL. IMPORTANT NOTICE. This manual has been provided for the use of authorized YAMAHA Retailers and their service personnel.Yamaha p155 説明 書 seoauditing.ru: Yamaha Electric Piano 88 keys black PB: Musical Instruments. Please refer to the "iPhone/iPad connection manual" for detailed connection. デザインは好みでしょうが、前機種Pまでの中途半端な家具調木目とかが. Yamaha YSP Service Manual PDF file download free. Yamaha YSP Service Manual will help to repair the device and fix errors. Page 5 of This manual has been provided for the use of authorized Yamaha Retailers and their service personnel. It has been 取扱説明書、保証書、電源コード、ダストカバー（LSのみ）） layer, user-defined keys (→p. ) and pref-. Read Or Download Nokia W Manual For FREE W Manual at Alfa Navi Manual · Yamaha P Manual · Ariens Ss Manual. If you are looking for the instruction manual: Yamaha EOS B - you have come to the right place. On this page you can download it for free. For details about.
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Yamaha p155 説明 書
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Yamaha p155 説明 書
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Yamaha p155 説明 書
Available characters include all letters of the alphabet, in both upper and lower case, numbers from 0 to 9, and a variety of miscellaneous characters. For instructions on saving a Performance, refer to the Store operation on page Higher values result in deeper filter modulation, creating a more pronounced filter sweep effect.
The higher the value, the greater the LFO filter modulation. With a few omitted parameters, these are the same as the parameters in the Multi Edit mode. The Copy operation allows you to copy the settings of one Performance program Preset or Internal to another Performance number Internal only. The selected parameter flashes. When the data has been copied, the MU returns to the Performance Edit menu. Performances can be saved to any one of the Internal memory locations.
With the exception of the Receive Channel and Transpose Note Shift settings made from the Play screen, all parameter settings in the Play screen and in the Edit, Effect and EQ modes are saved to the selected Performance number. Operation Use these to change value.
Performance number Use these to change Performance number. When the data has been stored, the MU returns to the Performance Edit menu. Performance Mode Recall Function Recall is a convenient function that allows you to recover an accidently deleted Performance. For example, if you are editing a Performance and inadvertently select a different Performance, the edited Performance would normally be lost. By using Recall before turning off the MU or editing another Performance, you can recover the previously edited Performance data.
If no previously edited Performance data exists, the following display briefly appears, indicating no Performance can be recalled. These are controlled in the Effect Edit mode. In this section, only the effect Types and the global parameters common to all Types are covered. The following menu appears: Reverb REV Several different types of Reverb effects are available to simulate the ambience of different sized rooms. Explanations of the Reverb Type and Reverb Pan parameters are given below.
Each Reverb Type has different values for the rest of the Reverb parameters; for example, Basement has a Reverb Time of 0. HINT Generally when using Reverb, you can simply select the particular Type needed, and use it without bothering to adjust the other parameters.
If fine tuning of the Reverb sound is necessary, delve into the other parameters as needed. Explanations of the Chorus Type and Chorus Pan parameters are given below.
Depending on the Type selected, the specific parameters and values may differ. Chorus 1 and 2 are used to subtly enhance the sound, and generally make it richer, fatter and warmer. Flanger uses modulation to create an animated, swirling motion effect, and produces a characteristic metallic sound. Symphonic also subtly enhances the sound by making a single instrument Voice sound like several. Phaser is similar to Flanger, but with a stronger and deeper modulation.
A setting of results in none of the Chorus-processed signal going to the Reverb. HINT Setting this to a relatively high level gives you a more natural sound, since the Chorus-processed sound is also being processed by the reverb.
It features some of the same effects found in the Reverb, Chorus and Insertion sections. This is not mere redundancy; it allows you to use two types of Reverb, Chorus or other effects on different Voices.
For example, you may want to have the Flanger effect on one Voice and Phaser on another. Variation also gives you many special effects not found in the other sections, such as Delay, Gate Reverb, Wah and Pitch Change. The Variation section of effects can be applied either to a single selected Part or to all Parts, depending on the connection setting: Insertion or System. Explanations of the Variation Type and other common parameters are given below. The Insertion effects are set up for Insertion routing and can be applied only to a single selected Part.
NOTE When Thru is selected, no effect is applied, and none of the parameters are available with the exception of the Assignable Controller and the Part parameter.
Unlike simple effect routing schemes on conventional sound modules that process all voices with the same effects, the MU allows you to put independent, special effects on one or two Parts, as well as use overall effects for processing all 34 Parts together.
For example, you can have a Distortion effect on a guitar Part and a rotary speaker effect for an organ Part, yet still use ambient effects such as Reverb and Chorus for processing the overall mix.
All the effect sections are connected or routed in one of two ways: System or Insertion. System applies the selected effect to all 34 Parts, while Insertion applies the selected effect to one specific Part. The Variation effect section, on the other hand, can be configured for either System or Insertion routing.
This is done from the Variation Connection parameter; see page Since System and Insertion are part of the XG format, you can create and play back song data using the same flexible effect routings on any tone generator or sound module having the XG mark. The illustrations and explanations below cover the System and Insertion connections in greater detail.
Insertion 2 can be applied to only one Part at a time. For the effects to be properly heard, the Reverb Return, Chorus Return and Variation Return parameters in the All Parts controls must also be set to appropriate values see pages 98 — When these are all set to 0, all three effects are in parallel routing. Higher values for each provide varying degrees of serial routing.
When Variation is set to Insertion: Thick line indicates stereo signal. Also, the Part to which Variation is applied is determined by the Variation Send control in the Single Part controls page This is done with the Send Chorus to Reverb parameter see page EQ presets are also provided for instantly calling up tone settings specially suited for different types of music. Jazz, Pops, Rock and Concert each have different EQ settings and frequency bands, specially suited for those types of music.
A setting of 00 dB corresponds to no level change. Included also are utility operations, such as various kinds of data transfer with an external data storage device, and initializing of the MU settings.
Master Tune M. Tune Range: — Master Tune is especially useful for adjusting the pitch of the MU when playing with other instruments. The actual pitch of each Voice depends also on the other pitch related parameters: Note Shift, Transpose in Play mode and Detune in Edit mode. If you want to keep the current Mute settings and disable this reset, set Mute Lock to on.
For more information on the Mute function, see page This parameter has no effect in the Performance mode. This setting affects the Multi mode only, and not the Performance mode. The on setting allows these messages to be received. The On setting allows these messages to be received. The On setting allows Bank Select messages to be received. Adjust this as necessary for optimum visibility. At extreme settings, the display may not be readable. This allows you to connect another multi-timbral tone generator to the MU and play back data over 48 independent MIDI channels — 32 on the MU and another 16 on the connected tone generator.
If the software you are using can address separate MIDI ports, data can be received over 32 channels simultaneously, allowing 32 parts to be played with only one serial cable. For information on changing banks, see page In other words, when you step through the available banks, the display stops only on banks for which the Voice is unique or different for the selected program number. This parameter should be set to match particular types of song data. The other extended Voice banks are not affected.
The following illustrations show example connections for the Dump Out functions. See the illustrations above. Refer to page 35 for more on host computer connections.
When the transmission is completed, the MU returns to the Dump Out menu. You should set the Device Number on each MU you use, before dumping the data to a data storage device. Then, when you reload the data to the connected MUs, each unit will automatically receive only the data that has the corresponding Device Number. The MU automatically receives incoming bulk data.
Initializing this parameter restores the original settings for the selected mode. When the operation is completed, the MU returns to the Initialize menu. Arrow indicates selected Sound Module mode.
It also lets you transmit the displayed value with a single button press. The Show Control Change display appears. For information on selecting banks, see page The Show Exclusive display appears. Similar to the software based XGworks Plug-in System, the optional XG system consists of a series of plug-in boards that allow you to easily create just the sound you need. The number of connectors available will be different according to the type of XG Plug-in System-compatible equipment that you have.
The MU is equipped with one plug-in connector. This is indicated by the logo that appears on all XG Plug-in System-compliant products. This logo ensures compatibility with all of your XG Plug-in System-compliant tone generator s and synthesizers.
It is a series of fully integrated components that work seamlessly and naturally with your XG tone generator. As a result, the functions of the plug-in system not only expand the features of the XG tone generator but compliment them as well. Through the system, a tone generating plug-in board is assigned its own part when installed into the MU XG insertion effects are supported by mounting an effect-type plug-in board into the MU Effect settings for the plug-in board can be made directly through the MU Plug this board into your MU for unbelievable FM voices with up tonote polyphony.
Additionally, this plug-in installs a preset bank of voices that range from traditional to uniquely inventive. This plug-in also includes a unique voice changer that allows you to experiment with choral effects as well as interchange male with female voice qualities. The features of this plug-in allow you to intuitively edit and compose complex musical passages with ease. The windowing environment allows you to easily enter values into the XGworks List Window using drag-and-drop commands.
The application includes a special list window for specifying settings in the Chordal Mode. You can fully edit custom voices as well as view parameters on the edit list just like on the DX7. The DX Simulator provides multiple options for saving your edited voices including bulk data or file formats. For details on functions and features of a specific plug-in application, please refer to the online help of that application.
The voice bank of a plug-in board is listed after the voice bank of the main unit. However, depending on the board, some parameters may not be supported. Please consult the documentation that came with your plugin board for details.
However, at startup it is possible to send the plug-in board parameters that can be set via the control panel of the MU as backup data to the plug-in board. Always wait for the backup process to finish.
Data will be lost if power to the main unit is turned off before the backup process has finished. However, only plug-in board parameters that can be set via the control panel of the main unit can be stored as performance data. The value that appears on the display of the main unit may be different from parameter settings of a plug-in board when settings are made via an external MIDI device.
Be careful not to injure your hands or fingers while installing or removing the plugin board. Be careful not to injure yourself when handling the jagged surfaces or sharp areas of the plug-in board.
Accidents can occur if the plug-in board is installed or removed while the AC adaptor is connected to a power source. Be sure to unplug the AC adaptor of the MU before installing or removing the plug-in board. Remove the installation lid by removing the four 4 silver screws that secure it to the MU Unlatch and remove the holder that secures the connector.
Extend the connector. Keep the holder for use when the XG Plug-in Board is removed. Before handling the XG Plug-in Board, be sure to touch a grounded, metal surface in order to remove any static electricity from your clothes or body.
Do not touch any of the patterned surfaces of the board or its connector. Make sure to insert the connector so that it faces the proper direction and the right and left tabs of the expansion connector lock into place as shown in the illustration. Position the XG Plug-in Board from above, onto the installation lid, making sure to align the holes of the board with the holes on the lid.
Secure the screws in the order shown in the illustration. Arrange the cables of the connector as shown, so that they do not become pinched or damaged. No sound. Problem No sound when playing the MU from a computer, sequencer or external keyboard. Notes are cut off or omitted. Even though the MU is exceptionally easy to use, it may occasionally not function as you expect it to. If that happens, check the possible problems and solutions below before assuming that the instrument is faulty.
If a Part is being muted, or an empty Part is being soloed, you may not get any sound. The easiest solution in such a case is to turn off Variation Send for the Part.
If the former is set higher than the latter, no sound will be output. If the former is set too high and the latter too low, no sound may be output. See pages 33 — See pages 35 — The maximum polyphony of the MU may be exceeded. The MU can play no more than 64 notes at once. Though 64 notes may seem to be more than enough, you may run short when playing a connected keyboard along with some densely arranged song data.
Also check the individual effect settings; if no Type has been selected, or if the parameter settings are too low, there may be no effect sound. The battery voltage for internal memory backup may be too low. Bring the unit to your local Yamaha dealer or any other authorized Yamaha service personnel. The checksum of the received System Exclusive message is incorrect. Check the checksum of the message and try transmitting again.
HOST is Offline! This message appears when the host computer is not turned on, the connecting cable is not properly connected, or the sequencing software is not active.
Illegal Data! A data error resulted during reception of MIDI messages. Try transmitting the data again, or turn the MU off and back on again. Reduce the amount of data being sent to the MU No Parameter The selected parameter for use with the Show Exclusive function does not exist as a valid parameter.
No RecallPerform! When performing a Recall in the Performance Edit mode, this message appears if performance data cannot be recalled because the data has not been saved in the MU This message appears when data cannot be properly transmitted between the MU and a plug-in board.
Unplug the power cord and make sure that the connector of the plug-in board is properly connected. Too much MIDI data is being received by the plug-in board at one time. Reduce the amount of data being sent to the plug-in board. Set the Receive Channel to an appropriate value. It appears as a reminder that the Part Mode must be set to drumS before the drum voice can be edited.
The data of the received System Exclusive message is incorrect. Check the address of the message and try transmitting again. Check the size of the message and try transmitting again. Preset Programs Assignable Controller 1 lets you determine which controller for example: modulation wheel, breath controller, foot controller, etc. The MU provides two types of EGs: one for level and the other for pitch.
Filter A control for affecting the frequency content of a sound. Filters are used to selectively cut or boost certain frequency ranges in the sound — subtly enhancing the sound, or dramatically changing its character. The standard specifies that a GM-compatible tone generator must have at least note polyphony, part multi-timbral capacity and standard voices. The MU exceeds this with 64note polyphony, part multi-timbral capacity and Voices. Glossary host computer The controlling computer in a computer music system.
LFO Abbreviation for low frequency oscillator, which generates a low frequency signal that is used to modulate certain aspects of the sound, such as pitch or level.
For the instruments to communicate, they normally must be set to the same MIDI channel. It can be used to control various aspects of the MU sound by proper setting of the Assignable Controller 1. The MU is a Part multi-timbral tone generator , capable of playing 32 different instrument Voices at once, each over an independent MIDI channel. Mute The Mute function of the MU allows you to silence one Part to hear how all of the other Parts sound without it. Parts are analogous to the various instrumental parts in music: e.
The preset Performances of the MU are special multi-Part sound programs designed particularly for live performance and studio recording purposes. Pitch Bend A function found on virtually all MIDI keyboards usually controlled with a pitch bend wheel that allows the pitch to be raised or lowered continously.
The Pitch Bend Control parameter on the MU allows you to set the range over which the pitch can be changed. Portamento A function found on early synthesizers that creates a continuous pitch glide between successively played notes. On the MU, the time of the pitch glide can be adjusted.
For example, the parameter Reverb Return determines the amount of Reverb-processed signal that is blended with the overall sound mix of the MU For example, the parameter Reverb Send determines the degree to which an individual Part is processed with the Reverb effect.
The MU can be used with either type. Sound Module mode The MU has four Sound Module modes, and these determine the basic operation of the unit as a tone generator.
The MU features a variety of velocity-related parameters that provide extensive control over the velocity response of the Voices, and even allow you to set up sophisticated velocity splits, in which the Voices change in response to playing velocity.
Vibrato Vibrato is a quavering, vibrating sound, and is produced in the MU by regularly modulating the pitch of a Voice. The speed and depth of the Vibrato can be adjusted, as well as the time it takes before the Vibrato effect is applied. Voice The basic sound unit or sound program of the MU There are a total of Voices available on the MU XG A new standard created by Yamaha which significantly improves on the General MIDI standard by providing a greater variety of high-quality Voices and enhanced effect operation.
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Amazon Web Services Cloud computing services. Amazon Outlet Save on Less than perfect items. Amazon Business Service for business customers. It often happens that the first problems with the device Yamaha P Musical Instrument appear only after a few weeks or months after its purchase. After such a long period, many people have a problem with finding documents such as a user manual received at the time of purchase, or maybe the documents have already been thrown out, got lost so that it is impossible to find them.
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The tone reflector may be out of alignment. The pads and tone holes may be out of alignment or the pads may be worn. This manual is also suitable for: Flutes Piccolos Piccolo Flute.
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Digital Audio 7. Assign analog? Is the data output from DSP3? Is the data output from DSP2? Is the data output from DSP1? Advance to either the following according to the input signal. IC LCW 21pin? DPMS Update f 8. About the display on the FL Display 8. Upper Currently updating. Upper Updating failed Turn the power off then back on. Upper Update retry Line, etc.
The semiconductor which described a detailed drawing in a schematic diagram are omitted to list. UNIT A. UNIT D.
Note: Pin No. Port Name : The name entered in the data sheet of microcomputer. Symbol : Symbolized interface function. Res : State at reset. Op Ext. Res Function. Pin Name No. GND Vcc Vout. Refer to the Schematic Diagram for those parts. Note: The symbols in the column "Remarks" indicate the following destinations. Part No. PLUG X nsp FCX Part Name Remarks Q'ty New. FB nsp E. FB 00D E. Use ONLY replacement parts recommended by the manufacturer.
ASS'Y for which "nsp" is indicated on this table cannot be supplied. When repairing the P. ASS'Y, check the board parts table and order replacement parts. Open navigation menu. Close suggestions Search Search. User Settings. Skip carousel. Carousel Previous. Carousel Next. What is Scribd?
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